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Excerpt from La Philosophie Contemporaine en France: Essai de Classification des Doctrines L' origine de cet essai fut un coms professe en 1908 a l'universite nouvelle de Bruxelles sur Les g: andee tendances de la philosqnhz'e francaise contemporaine. Il nous plait de nous rappeler que la premiere esquisse de ce livre consacre a la pensee francaise fut tracee a la demande d'amis belges et pour un public belge. Plus tard, nous avons renouvele l'entreprise, avec plus d'am pleur, a l'ecole (...) des Hautes Etudes Sociales, dans un cours professe en 1909-1910. Nous n'aurions jamais songe a reprendre et a developper ces lecons, si la guerre ne nous avait paru leur donner une opportunite et comme une portee nouvelles. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

This doctoral thesis was prepared in 1975-77 at Ecole des Hautes Etudes en Sciences Sociales, Paris, under the supervision of Prof. Raymond ARON. It was submitted in 1977 in fulfilment of the requirements for a Ph.D. degree in Social Sciences (Doctorat de 3e cycle en sciences sociales). The oral examination (soutenance de thèse) was held in January 1978, with the examination committee consisting of Prof. Aron, Bartoli, Boudon and Brochier. This 250 page unpublished dissertation was the (...) first study ever written in French on Karl Marx's Grundrisse - a 1857-58 manuscript preparatory to Marx's main economic work, Capital. The dissertation reviews Marx's successive projects for his economic work since the 1844 Manuscripts and then proceeds to a presentation and critical discussion of Grundrisse. The proposed interpretation explains the linkage that Marx operated in 1857-58 between Ricardo's economics and Hegel's dialectics, and it emphasizes that Marx was at that time primarily trying to reconstruct the dynamics of capitalism, without going to the stage of developing a formal theory of value and exploitation, as he will eventually do in Capital. (shrink)

In this intriguing study, Jacques Le Goff, one of the most esteemed contemporary French historians of the Middle Ages, presents a concise investigation of the problem that usury posed for the medieval Church, which had long condemned the lending of money for interest. Le Goff describes how, as the structure of economic life inevitably began to include financial loans, the Church refashioned its theology in order to condemn the usurer not to hell but merely to purgatory.Jacques Le Goff is Director (...) of Studies at the Ecole des Hautes Etudes en Sciences Sociales, Paris, and the author of The Birth of Purgatory.Patricia Ranum is the translator of Afterthoughts on Material Civilization and Capitalism by Fernand Braudel. (shrink)

Connaissez-vous Daniel S. Milo? Il dit lui-même être « le seul témoin ici de [ses] propres exploits ». Il conviendrait donc de faire les présentations d’usage. Mais suffit-il de dire que l’homme est historien, romancier et philosophe, maître de conférences à l’École des hautes études en sciences sociales à Paris? Difficile, car malgré tout on en vient vite à s’écrier, sur le ton de parents excédés par l’insubordination de leur rejeton : « Qu’est-ce qu’il...

Unable to respond to the questions, to all the questions, I will ask myself instead whether responding is possible and what that would mean in such a situation. And I will risk in turn several questions prior to the definition of a responsibility. But is it not an act to assume in theory the concept of a responsibility? Is that not already to take a responsibility? One’s own as well as the responsibility to which one believes one ought to summon (...) others?The title names a war. Which war?Do not think only of the war that broke out several months ago around some articles signed by a certain Paul de Man, in Belgium between 1940 and 1942. Later you will understand why it is important to situate the beginning of things public, that is the publications, early in 1940 at the latest, during the war but before the occupation of Belgium by the Nazis, and not in December 1940, the date of the first article that appeared in Le Soir, the major Brussels newspaper that was then controlled, more or less strictly, by the occupiers. For several months, in the United States, the phenomena of this war “around” Pula de Man have been limited to newspaper articles. War, a public act, is by rights something declared. So we will not count in the category of war the private phenomena—meetings, discussions, correspondences, or telephonic conclaves—however intense they may have been in recent days, and already well beyond the American academic milieu. Jacques Derrida is Directeur d’Études at the École des Hautes Études en Sciences Sociales and also teaches at the University of California, Irvine. A teacher at Yale for ten years, he is the author of Mémoires: for Paul de Man .Peggy Kamuf is associate professor of French at Miami University. She is the author of Fictions of Feminism Desire: Disclosures of Heloise and Signature Pieces: On the Institution of Authorship . Her article “Pieces of Resistance” is forthcoming in Reading de Man Reading. (shrink)

« Nos sentiments ne sont perceptibles qu’en s’enfermant dans les mots ». Dès son introduction Georges Vigarello, professeur à l’Université de Paris-V et directeur d’étude à l’École des Hautes Études en Sciences Sociales, rappelle cette phrase de Jean-Louis Flandrin pour à son tour s’essayer à ce terrain difficile que sont les mots, afin de penser une histoire de la beauté. Les mots, significatifs du point de vue de leurs auteurs comme de leurs époques, traduisent les prises de (...) conscience et... (shrink)

Dans le silence qui entoure la question du temps et des temporalités dans l’espace oriental, l’ouvrage Les Ottomans et le temps constitue une contribution novatrice et précieuse. On ne peut que regretter qu’il ait fallu attendre près de dix ans pour prendre connaissance des résultats de travaux commencés dès 2003-2004 dans le cadre d’un séminaire de l’École des hautes études en sciences sociales, inscrit dans la continuité du travail fondateur de Louis Bazin sur Les systèmes chronologiques d..

Nous sommes heureux de vous présenter le quatrième numéro de Études Ricœuriennes/Ricœur Studies (ERRS). La conception de ce numéro a été largement inspirée par la Conférence Internationale des Etudes Ricœuriennes (International Conference on Ricœur Studies "New Perspectives on Hermeneutics in the Social Sciences and Practical Philosophy"), qui s’est tenue à l'École des Hautes Etudes en Sciences Economiques à Moscou du 13 au 16 Septembre 2011.

Depuis le début des années 1980, Georges Didi-Huberman, philosophe et historien de l'art, enseignant à l'École des hautes études en sciences sociales (Paris), s'attache à penser le devenir des images, et plus généralement le travail des formes, avec des outils théoriques empruntés à des champs de recherche multiples (philosophie, anthropologie, histoire de l'art, psychanalyse...) et pour des périodes historiques très diverses (Renaissance, XIXe siècle, art moderne, art contemporain...). La fécondité de cette pensée, la richesse des propositions théoriques (...) qu'elle a su inventer, en font aujourd'hui une référence majeure dans le champ de l'histoire et de la théorie de l'art. Ce volume propose un ensemble de lectures de cet être-devant-les-images, en explorant sa tonalité essentiellement heuristique. Il montre combien, ici, l'art et l'histoire trouvent des outils capables de les faire travailler ensemble. (shrink)

Vincent Descombes is a French philosopher. He has taught at the University of Montréal, Johns Hopkins University, and Emory University. Presently, he is director of studies at the École des Hautes Études en Sciences Sociales, Paris, and regular visiting professor at the University of Chicago in the Department of Romance. Descombes’s main areas of research are in the philosophy of mind, philosophy of language and philosophy of literature. The following interview covers various aspects of his research in (...) the philosophy of mind and language: semantic anti-realism, phenomenology, the content of mental states, description and transparency, the linguistic turn, metaphysics and linguistic analysis, fictional names and animal intentionality. (shrink)

Recorded in Ithaca, NY by Cornell University., Sponsored by: Andrew D. White Professors-At-Large Program., Speaker: Professor of the History of Philosophy, Ecole des Hautes Etudes en Sciences Sociales, Paris, Andrew D. White Professor-at-Large., Lecture, October 3, 1988.

I shall speak of ghost [revenant], of flame and of ashes.And of what, for Heidegger, avoiding means.What is avoiding? Heidegger on several occasions uses the common word Vermeiden: to avoid, to flee, to dodge. What might he have meant when it comes to “spirit” or the “spiritual”? I specify immediately: not spirit or the spiritual but Geist, geistig, geistlich, for this question will be, through and through, that of language. Do these German words allow themselves to be translated? In another (...) sense: are they avoidable?Sein und Zeit : what does Heidegger say at that time? He announces and he prescribes. He warns [avertit]: a certain number of terms will have to be avoided . Among them, spirit . In 1953, more than twenty-five years later—and this was not just any quarter-century—in the great text devoted to Georg Trakl, Heidegger notes that Trakl always took care to avoid the word geistig. And, visibly, Heidegger approves him in this; he thinks the same. But this time, it is not Geist nor even geistlich that is to be avoided, but geistig.How are we to delimit the difference, and what has happened? What of this meantime? How are we to explain that in twenty-five years, between these two warning signals , Heidegger made a frequent, regular, marked use of all this vocabulary, including the adjective geistig? And that he often spoke not only of the word “spirit” but, sometimes yielding to the emphatic mode, in the name of spirit? Jacques Derrida is Directeur d’Études at the École des Hautes Études en Sciences Sociales and also teaches at the University of California, Irvine. His most recent contribution to Critical Inquiry is “Like the Sound of the Sea Deep within a Shell: Paul de Man’s War” . An English translation of De l’espirit: Heidegger et la question is forthcoming from the University of Chicago Press. Geoff Bennington, author of Lyotard: Writing the Event, is a lecturer in French at the University of Sussex. Rachel Bowlby, author of Virginia Woolf: Feminist Destinations, is a lecturer in English at the University of Sussex. (shrink)

Some years ago a collection of historical and philosophical essays on sex was advertised under the slogan: Philosophers are interested in sex again. Since that time the history of sexuality has become an almost unexceptionable topic, occasioning as many books and articles as anyone would ever care to read. Yet there are still fundamental conceptual problems that get passed over imperceptibly when this topic is discussed, passed over, at least in part, because they seem so basic or obvious that it (...) would be time badly spent to worry too much about them. However, without backtracking toweard this set of problems, one will quite literally not know what one is writing the history of when one writes a history of sexuality.An excellent example of some of the most sophisticated current writing in this field can be found in Western Sexuality, a collection of essays that resulted from a seminar conducted by Philippe Ariès at the Ecole des Hautes Etudes en Sciences Sociales in 1979-80.1 As one would expect, Western Sexuality is characterized by a diversity of methodological and historiographical approaches—social history, intellectual history, cultural history , historical sociology, the analysis of literary texts, and that distinctive kind of history practiced by Michel Foucault and also in evidence in the short essay by Paul Veyne. One perspective virtually absent from this collection is the history of science, and since I believe that the history of science has a decisive and irreducible contribution to make to the history of sexuality, it is not accident that I am going to focus on that connection. But the history of sexuality is also an area in which one’s historiography or implicit epistemology will stamp, virtually irrevocably, one’s first-order historical writing. It is an arena in which philosophical and historical concerns inevitably run into one another. 1. Philippe Ariès and Adnré Béjin, eds., Western Sexuality: Practice and Percept in Past and Present Times . Arnold I. Davidson, a coeditor of Critical Inquiry, is assistant professor of philosophy and member of the Committees on General Studies in the Humanities and on the Conceptual Foundations of Science at the University of Chicago. His previous contribution to Critical Inquiry, “How to Do the History of Psychoanalysis: A Reading of Freud’s Three Essays on the Theory of Sexuality,” appeared in the Winter 1987 issue. (shrink)

A la fin du XIXe siècle, le progrès des sciences et des techniques parut ouvrir une ère de bonheur où l'homme, délivré des tâches serviles et de toutes les superstitions, serait enfin le maître de la nature et de son propre destin. Mais le XXe siècle ne tint pas ces promesses. Certes, le progrès des sciences a fait reculer la mortalité infantile et allonger l'espérance de vie. Les nouveaux moyens de communication ont permis la circulation rapide d'informations autour du globe. (...) Mais notre environnement est menacé par toutes sortes de déchets. La biologie a ouvert des voies effrayantes. l'automatisation a bouleversé le monde du travail. La nécessité de former des scientifiques pour créer et maîtriser ces nouveaux outils a fait reculer la culture classique. De tels changements ont obscurci les repères traditionnels, les esprits sont déroutés, le sens est en crise. A l'entrée du troisième millénaire, l'Académie d'Education et d'Etudes sociales ne pouvait laisser ces questions dans l'ombre : elles sont trop souvent l'objet de débats plus passionnés que fondés et raisonnés. La science menace-t-elle l'homme et son environnement? Pèse-t-elle sur la cohésion sociale et la démocratie? Quelle est sa place dans la culture, à côté de la philosophie? Comment le chrétien se situe-t-il dans ce monde scientifique et technique? Par une étude raisonnée de ces questions, l'AES souhaite délivrer un message d'espoir et de confiance, et contribuer à mettre le développement scientifique et technique au service de l'homme, suivant la parole de l'Ecclésiastique : " Le Très-Haut a donné à l'homme le savoir pour être glorifié dans ses merveilles " (17,8). (shrink)

One could accuse me here of making a big deal and a whole history out of words and gestures that remain very clear. When Madame de Mainternon says that the King takes her time, it is because she is glad to give it to him and takes pleasure from it: the King takes nothing from her and gives her as much as he takes. And when she says, “I give the rest to Saint-Cyr, to whom I would like to give (...) all,” she is confiding in her correspondent about a daily economy concerning the leisures and charities, the works and days of a “grande dame” somewhat overwhelmed by her obligations. None of the words she writes has the sense of the unthinkable and the impossible toward which my reading would have pulled them, in the direction of giving-taking, of time and the rest. She did not mean to say that, you will say.What if … yes she did [Et si].And if what she wrote meant to say that, then what would that suppose? How, where, on the basis of what and when can we read this letter fragment as I have done? How could we even hijack it as I have done, while still respecting its literality and its language? End of the epigraph. Jacques Derrida is Directeur d’Études at the École des Hautes Études en Sciences Sociales in Paris, and professor of French, University of California, Irvine. In the past year, he has published Le Problème de la genèse chez Husserl , Mémoires d’aveugle, l’autoportrait et autres ruines , L’Autre Cap , and Circonfession in Jacques Derrida, with Geoffrey Bennington . Peggy Kamuf is professor of French at the University of Southern California and Directeur de Programme, Collège International de Philosophie in Paris. She is the author of Signature Pieces: On the Institution of Authorship and most recently has edited A Derrida Reader: Between the Blinds. (shrink)

This is the first English translation of a remarkable two-part lecture given by Cornelius Castoriadis at the École des hautes etudes en sciences sociales in January 1992. The lecture features within a series on social transformation and the task of creative forms of labour. In this installment Castoriadis explores the significance of art through a creative reading of Aristotle's famous definition of tragedy in the Poetics. He rejects Aristotle's dependence on the mimetic tradition in search for a vision (...) of art as the unveiling of the creative resources that lie within the human being. Yet he retains Aristotle's vivid depiction of art as a form of production that is at once cognitive, emotive and social. Art, for Castoriadis, affects a transformation on the level of imagination that opens us anew to the fundamental questions of human being and doing. Through his extensive knowledge of western forms of artistic production Castoriadis draws lucid connections between Aristotle, Shakespeare, Kant, Hegel, Greek sculpture, renaissance painting, modern literature and folk music to explore the work of art as a ‘window into chaos’, a creative production that gives form to what cannot be formed: the ground of creativity at the heart of the imagination. (shrink)

APARTHEID—may that remain the name from now on, the unique appellation for the ultimate racism in the world, the last of many.May it thus remain, but may a day come when it will only be for the memory of man.A memory in advance: that, perhaps, is the time given for this exhibition. At once urgent and untimely, it exposes itself and takes a chance with time, it wagers and affirms beyond the wager. Without counting on any present moment, it offers (...) only a foresight in painting, very close to silence, and the rearview vision of a future for which apartheid will be the name of something finally abolished. Confined and abandoned then to this silence of memory, the name will resonate all by itself. Reduced to the state of a term in disuse. The thing it names today will no longer be.But hasn’t apartheid always been the archival record of the unnameable?The exhibition, therefore, is not a presentation. Nothing is delivered here in the present, nothing that would be presentable—only, in tomorrow’s rearview mirror, the late, ultimate racism, the last of many. Jacques Derrida, professor of philosophy at the Ecole des hauts etudes en sciences socials in Paris, is the author of, among other works, Of Grammatology, Writing and Difference, Margins of Philosophy, and Dissemination. His most recent contribution to Critical Inquiry, “The Linguistic Circle of Geneva,” appeared in the Summer 1982 issue. Peggy Kamuf teaches French at Miami University, Ohio. She is the author of Fiction of Feminine Desire. (shrink)